Just another music blog............ et oui, un autre blog de musique

Aucun message portant le libellé uk. Afficher tous les messages
Aucun message portant le libellé uk. Afficher tous les messages

2008/04/09

The Fall - Room To Live


Band: The Fall
Album: Room To Live
Country: UK
Release Date: 1982

Room to Live originally appeared in 1982 and remains as essential to the Fall's discography as the previous year's Slates EP. Room to Live was similarly one of the great Fall collections of this era that was too short to be called an album and too long to be an EP or single. Its seven tracks epitomize the "Undilutable Slang Truth!" -- the phrase scrawled across the cover -- which in Mark E. Smith dialect translates as possibly the most archly political and scathing collection of diatribes the Manchester legend spewed forth onto record during what is arguably the group's creative peak. Room to Live marks one of the most inspired periods of the group, the era that produced the masterful Hex Enduction Hour and was in part fueled in by the political upheaval in England circa 1982 during the Falklands War (the subject became a bone of contention with many artists, yet few railed so spitefully as the Fall). Mark E. Smith is at his very best lyrically when getting riled up against the middle class, such as on "Hard Life in Country" and the hilarious "Solicitor in Studio." The latter track gathers a chugging momentum until peaking in uncontrollable feedback, and contains some of the most experimental and risky instrumental behavior his supporting cast ever brought to the studio. Room to Live may be a short, sharp stab of chaos, yet it remains undeniably one of the greatest pieces of post-punk genius the group ever recorded.

1 Joker Hysterical Face 4:48
2 Marquis Cha-Cha 4:31
3 Hard Life in Country 6:11
4 Room to Live 4:15
5 Detective Instinct 5:43
6 Solicitor In Studio 5:21
7 Papal Visit 5:32
8 Fantastic Life 5:20
9 Lie Dream Of A Casino Soul 3:10

Link

2008/04/08

The Fall - The Infotainment Scan



Band: The Fall
Album: The Infotainment Scan
Country: USA
Release Date: 2006

Returning to the indie label world with a bang, the Fall unleashed a winner and a half with The Infotainment Scan, one of the band's most playful yet sharp-edged releases. The choice of covers alone gives a sense of where Smith's head was at -- tackling Lee Perry's "Why Are People Grudgeful?" is one tall order to start with, while a cover of the novelty tripe "I'm Going to Spain" is just silly fun (even if the guitar does sound like early Cure!). Even more astounding, though, is what the band does to the Sister Sledge disco classic "Lost in Music" -- nobody will ever mistake Smith's singing for that of the threesome, but the band's overall performance is an honest to God tribute to the tight but full Chic Organization sound. Craig Scanlon throws in some scratchy work around the edges, but otherwise the group takes it as it is and does a great job. As for the originals, Smith and crew are in fine form once again, Scanlon, Steve Hanley, Dave Bush, and Simon Wolstencroft once again a dynamic, inventive unit. After the explicitly techno nods of the recent past, Infotainment balances that off with more straight-ahead rock, though with Wolstencroft's strong, sharp drumming still setting a brisk, danceable pace while Scanlon whips up his usual brand of tight, memorable riffing and Bush adds subtle textures and catchy melodies. One of the best numbers is the explicitly Gary Glitter-styled romp "Glam Racket," a great shout-along, while the beat-crazy "A Past Gone Mad" wins for this line alone: "And if I ever end up like U2/Slit my throat with a garden vegetable." "The League of Bald-Headed Men" also deserves note, as does another strong motorik-inspired number, "It's a Curse." Best song title of the bunch? "Paranoia Man in Cheap Shit Room," with a high-strung and aggressive arrangement to boot. [In 2006 the Sanctuary/Castle label reissued The Infotainment Scan with a bonus disc including two radio sessions for the BBC, the Why Are People Grudgeful? single in total, and seven unreleased outtakes and alternate versions.]

CD1
1.Ladybird (Green Grass)4:00
2.Lost In Music3:50
3.Glam-Racket3:13
4.I'm Going To Spain3:28
5.It's A Curse5:20
6.Paranoia Man In Cheap Sh*t Room4:28
7.Service4:13
8.The League Of Bald-Headed Men4:09
9.A Past Gone Mad4:21
10.Light/Fireworks3:49
11.Why Are People Grudgeful?4:32
12.League Moon Monkey Mix4:37

CD2
1.Ladybird (Green Grass) Peel session4:05
2.Strychnine (Peel session)2:54
3.Service (Peel session)3:36
4.Paranoia Man in Cheap Sh*t Room (Peel session)4:19
5.Glam Racket (Mark Goodier session)3:34
6.War (Mark Goodier session)2:36
7.15 Ways (Mark Goodier session)2:51
8.A Past Gone Mad (Mark Goodier session)4:35
9.Why Are People Grudgeful? (Permanent single)4:28
10.Glam Racket (Permanent single)3:33
11.The Re-Mixer (Permanent single)6:03
12.Lost in Music (Permanent single)3:50
13.A Past Gone Mad (alternate version)4:38
14.Instrumental outtake3:43
15.Service (instrumental demo)4:41
16.Glam Racket (instrumental demo)3:17
17.Lost in Music (mix 3)4:39
18.Lost in Music (mix 7)4:35
19.Lost in Music (mix 14)4:30

Link Part 1
Link Part 2

2007/12/02

The Fall - Dragnet



Band: The Fall
Album: Dragnet
Country: UK
Release Date: 1979

The Fall's second album was also one of the hardest to find in later years, getting only sporadic represses and reissues. Though some opinions would have it that there was a good reason for this -- namely, that it was something of a dead end sonically -- it's not as bad as all that. It's true that more than a few tracks come across as Fall-by-numbers (even then, already better than plenty of other bands), but there are some thorough standouts regardless. There's also another key reason to rate Dragnet -- it's the debut album appearance of Craig Scanlon, who picked up on the off-kilter rockabilly-meets-art rock sensibilities of the initial lineup and translated it into amazing guitar work. No less important is the appearance of Steve Hanley, who would soon take over fully on bass from Marc Riley, who in turn moved to guitar, forming one heck of a partnership with Scanlon that would last until Riley jumped ship to form the Creepers. Generally the songs which work the best on Dragnet throw in some amusingly odd curves while still hanging together musically. The full winner is unquestionably "Spectre vs. Rector," an amazing combination of clear lead vocals and buried, heavily echoed music and further rants, before fully exploding halfway through while the rhythm obsessively grinds away. Another odd and wonderful cut is "Muzorewi's Daughter," which starts out sounding like stereotypical Hollywood music for Native American tribes before shifting between that and quicker choruses. "Dice Man," with its rave-up melody and slower vocal- and guitar-only chorus, not to mention the weird muttering elsewhere in the mix, says it all in under two minutes and has fun while doing it. Through it all, Smith rants and raves supreme, spinning out putdowns, cracked vocals, and total bile with all the thrill and energy one could want from a good performer.

1.Psykick Dance Hall3:48
2.A Figure Walks6:08
3.Printhead3:15
4.Dice Man1:45
5.Before The Moon Falls4:31
6.Your Heart Out3:07
7.Muzorewi's Daughter3:43
8.Flat Of Angles4:55
9.Choc - Stock2:37
10.Spectre Vs Rector7:56
11.Put Away3:30
12.Rowche Rumble4:01
13.In My Area4:05
14.Fiery Jack4:43
15.2nd Dark Age1:59
16.Psykick Dance Hall (No. 2)3:39
17.Rowche Rumble (Take 2)4:05
18.Rowche Rumble (Take 3)0:33
19.Rowche Rubmle (Take 4)3:53
20.Rowche Rumble (Take 5)1:35
21.In My Area (Take 1)0:48
22.In My Area (Take 2)5:06


Download Part 1
Download Part 2

2007/11/21

Wire - Third Day


Band: Wire
Album: Third Day
Country: UK
Release Date: 2000

These are five songs from the third rehearsal of Wire's recent, stunning comeback, recorded at the Ritz in London, November 29, 1999. And regrettably, The Third Day is only a limited edition, 1000-copies EP the group peddled at its 2000 tour gigs, because frankly, it's jaw dropping. As those who attended the tour could attest, the four original members declined to replicate their 23-year-old versions. Instead, as seen here on a mind-blowing "Pink Flag" (two ashen versions for good measure) and an equally wicked "Mercy," the group hurls a viscous cacophony the old recordings always hinted at -- like on 154's later "A Touching Display." In place of the underground-touchstone scratchy guitars on the Pink Flag and Chairs Missing classics that launched a thousand bands, Bruce Gilbert and Colin Newman are all roaring thrust, all dense wall of sound eruption. Recall, Wire-heads, My Bloody Valentine doing "Only Shallow" on the Loveless tour in 1992, and you're in the fuming, exploding, deafening, needles-screaming-in-the-red ballpark. Right in step, bassist Graham Lewis doubles the solidity into a distorted, crunching slam of a sound. Yikes. Even tap-tap-tap master Robert Gotobed sounds as if his kick drum's a howitzer and his snare's a tommy gun. 154's more gaseous "Blessed State" is similarly reinvigorated (though it had less far to go; sadly, this wasn't subsequently performed live), and "Art of Persistence" is a great find. Speaking of "find," how does one find this surprisingly must-have document? Alas, Wire probably sold all copies by tour's end, but try at www.pinkflag.com.

1.Pink Flag (r1)3:56
2.Blessed State3:22
3.Mercy5:28
4.Art Of Persistence (1st draft)4:33
5.Pink Flag (r2)3:35

Download Link

2007/11/19

Wire - Read & Burn EP series


Band: Wire
Album: Read & Burn 01
Country: UK
Release Date: 2002

With the 1990 departure of Robert Gotobed (now Robert Grey), Wire ceased to exist, becoming the trio WIR. A decade later, however, the unpredictable foursome reunited for a series of concerts. Playing together again, the bandmembers realized Wire still had something to say. Tracks from 1999 rehearsals appeared on The Third Day, but the band began recording completely new material in late 2001. That first studio collaboration since Manscape resulted in Read & Burn 01. It's appropriate that this release from British punk's most innovative band should coincide with punk's Silver Jubilee. But although Read & Burn 01 evokes the taut and abrasive, pared-down rush of Pink Flag -- before the more experimental departures of Chairs Missing and 154 -- this isn't empty nostalgia. On the vintage foundation of simple, minimal patterns repeated to often-hypnotic effect, Wire builds a beefed-up, contemporary wall of sound. In keeping with the title, this material is urgent and intense, feelings conveyed by the music's sheer pace. The three-chord wonder "In the Art of Stopping" kicks things off frantically and the band goes into overdrive on the deconstructed speed metal/hardcore onslaught of "Comet," with Grey's characteristically relentless, rigid beat at the center of the sonic maelstrom; aside from Colin Newman's trademark sneer, this could be an outtake from Motörhead's Overkill. Although there's a respite on the shouty "I Don't Understand," with its ominous, lumbering groove recalling "Lowdown," elsewhere Wire sustains the amphetamine pace. They end with a bang on "The Agfers of Kodack," an assaultive number enveloped in Bruce Gilbert's swarm-of-bees guitar. During a 1977 Wire gig at London's Roxy, a heckler shouted at the band after every number, "That's better, now louder and faster." Read & Burn 01 suggests that 25 years later, Wire might still be hearing that voice egging them on.

1.In the Art of Stopping3:34
2.I Don't Understand3:17
3.Comet3:17
4.Germ Ship1:51
5.1st Fast1:41
6.The Agfers of Kodack3:14

Download Link

Band: Wire
Album: Read & Burn 02
Country: UK
Release Date: 2002

On their post-millennial return to the studio, Wire rediscovered no-nonsense noisemaking, trashing the art component of their pioneering art punk identity and throwing themselves headlong into a fast, loud, and bilious new philistinism. The band's first salvo, Read & Burn 01, was a stomping, short, sharp shocker, the aural equivalent of getting jumped in a dark alley by a bunch of irate, amphetamine-addled pensioners (well, Bruce Gilbert was nearing 60 when the CD appeared). A few months later, with listeners still cowering in the corner groping about for their glasses and checking for broken bones, the thuggish quartet came back to put the boot in again. Grounded in the three Rs (repetition, repetition, and repetition), Read & Burn 02 shares its predecessor's hit-and-run aesthetic: it's a post-industrial punk rock barrage of buzzing, stinging guitars; chunky basslines; and clockwork beats littered with terse, strangled vocals that fall somewhere between bolshy, pre-brawl aggression and football-terrace chants. The sound of Wire 2002 rarely lets you catch your breath. From the title track's deconstructed glam rock rhythms to the metallic rush of "Nice Streets Above" to the hectoring speedcore of "Raft Ants," these numbers seem fueled by a "last-one-to-the-end-of-the-song's-a-sissy" competition among the bandmembers. But while the overriding feel is one of menace and urgency, there are some less-fraught moments. It's a good cop/bad cop routine: Amid the general sonic onslaught, part of "Trash/Treasure" sees Colin Newman trading his heckling delivery for almost soothing vocals and Wire playing pop in a way that recalls their better '80s material. Still, Gilbert, Grey, Graham Lewis, and Newman have never had much time for nostalgia, and the new level of assaultive energy here emphasizes that the band is still reinventing itself. Read & Burn 02 is the sound of Wire not so much looking back as looking forward in anger.

1.Read and Burn2:35
2.Spent4:43
3.Trash/Treasure5:07
4.Nice Streets Above2:50
5.Raft Ants2:05
6.99.97:42

Download Link

Band: Wire
Album: Read & Burn 03
Country: UK
Release Date: 2007

Having spent the four-and-a-half years since the May 2003 release of Send, their last full length studio album, consolidating and reappraising their back catalogue (by means of CD and DVD releases and re-releases of their '70s material) and for the most part remaining out of the public eye, Wire have nonetheless not been creatively idle. Although drawing on a resource pool of material developed over the entire post-Send period, Read & Burn 03 benefits substantially from a concentrated creative effort and newly defined aesthetic sense developed since mid-2006. Wire, ever multi-layered, ever redefined, is evolving yet again. No greater indication of the seismic shift in Wire's intentions can be given than the very fact that the first track on the band's first utterance for almost five years is nearly 10 minutes long!

The fertile creative seam hit over the latter part of 2006 continues to be mined, and although Read & Burn 03 stands as a body of work in its own right, it is but the finished part of the larger set of material from which Wire will draw the next album. Note, however, that no material from Read & Burn 03 will be included on the next Wire album. Read & Burn 03 is NOT a part installment: it stands in its own right.

1.23 Years Too Late9:46
2.Our Time4:33
3.No Warning Given5:26
4.Desert Diving5:34

Download Link

Wire - Cabaret Metro (Send Bonus CD)

Band: Wire
Album: Cabaret Metro (Send Bonus CD)
Country: UK
Release Date: 2003

A great performance of Wire live at the Cabaret Metro in Chicago on 14th September 2002 give out as a bonus with some early release of Send.

1. 99.9
2. Germ Ship
3. Mr Marx's Table
4. First Fast
5. Read And Burn
6. The Agfers Of Kodack
7. Comet
8. In The Art Of Stopping
9. Spent
10. I Don't Understand

Download Link

2007/11/13

The Damned - Damned Damned Damned [30th Anniversary Expanded Edition]


Band: The Damned
Album: Damned Damned Damned [30th Anniversary Expanded Edition]
Country: UK
Release Date: 2007

If you like punk rock at all, you pretty much have to have a soft spot for the Damned's epochal 1976 debut album Damned Damned Damned, one of the masterstroke releases of the first wave of British punk which still sounds fresh, exciting and brilliantly snotty three decades after it was released. But if you love Damned Damned Damned, well, this remastered and lavishly expanded edition will bring a broken-toothed grin to your face in no time flat. This three-disc set (yes, three discs!) opens with the original album, which seems to have hardly dated a bit. For all the group's manic energy, the playing is sharp and muscular, Dave Vanian's vocals are powerful enough to make his histrionics work, Rat Scabies' drumming holds the band tight, Captain Sensible's bass provides a solid foundation for the melodies and Brian James' guitar wails with primitive force. The songs still communicate, and the band's lack of an upfront political or social agenda means these songs aren't chained to their era the way the early Clash, Sex Pistols or Stiff Little Fingers discs are, great as they may be. Disc two serves up 26 demos, B-sides, non-LP single tracks and radio recordings, which equals nearly everything the band recorded during their first year of operations. The two John Peel sessions and a ten-song BBC live concert will delight anyone with a fondness for the band's first era, and you may want to give "Singalong Scabies" ("Stab Yor Back" minus its vocal track) a spin at your next karaoke party. And Disc three features a lo-fi recording of one of the Damned's first public gigs, a set recorded in London during the 100 Club's first Punk Rock Festival in the summer of 1977. The recording quality is only fair, and the audience doesn't seem to be too enthusiastic, but the Damned give their all, and the show is both exciting and historically priceless. The set comes with a 16-page booklet packed with photos and featuring an excellent historical essay from Kieron Tyler. [The 30th Anniversary Expanded Edition of Damned Damned Damned not only adds plenty of fine music and historical perspective to one of the great album of the British punk scene, it actually improves on the fine box set Play It at Your Sister, which covers most of the same territory before sinking into the disappointment of the group's misbegotten second album, Music for Pleasure; this is simply essential stuff, and rock & roll fun at its most dangerous.]

CD1 - Original Album

1.Neat Neat Neat2:43
2.Fan Club2:57
3.I Fall2:06
4.Born To Kill2:37
5.Stab Yor Back1:00
6.Feel The Pain3:36
7.New Rose2:44
8.Fish1:38
9.See Her Tonite2:29
10.1 Of The 23:08
11.So Messed Up1:51
12.I Feel Alright4:27

CD2 - Demos, B-Sides & BBC Sessions

1.I Fall (demo june 1976)2:56
2.See Her Tonite (demo june 1976)2:40
3.Feel The Pain (demo june 1976)5:11
4.Help (Stiff b-side october 1976)1:43
5.Stab Yor Back (Peel session 1976-11-30)0:59
6.Neat Neat Neat (Peel session 1976-11-30)2:39
7.New Rose (Peel session 1976-11-30)2:40
8.So Messed Up (Peel session 1976-11-30)2:28
9.I Fall (Peel session 1976-11-30)2:10
10.Singalongscabies (Stiff b-side february 1977)1:00
11.Fan Club (Peel session 1977-05-05)3:03
12.Feel The Pain (Peel session 1977-05-05)3:33
13.Stretcher Case Baby (Peel session 1977-05-05)1:48
14.Sick Of Being Sick (Peel session 1977-05-05)2:29
15.I Feel Alright (In Concert 1977-05-19)4:49
16.Born To Kill (In Concert 1977-05-19)3:01
17.Sick Of Being Sick (In Concert 1977-05-19)2:50
18.Neat Neat Neat (In Concert 1977-05-19)2:56
19.Fan Club (In Concert 1977-05-19)2:55
20.Stretcher Case Baby (In Concert 1977-05-19)2:26
21.Help (In Concert 1977-05-19)1:32
22.Stab Yor Back (In Concert 1977-05-19)1:02
23.So Messed Up (In Concert 1977-05-19)2:35
24.New Rose (In Concert 1977-05-19)3:26
25.Stretcher Case Baby (Stiff single july 1977)2:14
26.Sick Of Being Sick (Stiff single july 1977)2:00

CD3 - Live At The 100 Club

1.1 Of The 23:41
2.New Rose2:57
3.Alone3:50
4.Help1:47
5.Fan Club3:01
6.I Feel Alright4:20
7.Feel The Pain4:46
8.Fish1:50
9.Circles4:42
10.See Her Tonite2:51
11.I Fall3:08
12.So Messed Up2:38

Download Part 1
Download Part 2
Download Part 3
Download Part 4

2007/06/03

Alberto Y Los Trios Paranoia - Snuff Rock EP


Band: Alberto Y Los Trios Paranoia
Album:
Snuff Rock EP
Country:
UK
Release Date: 1977

Les Alberto y Los Trio Paranoias sont un groupe de rock humoristique fondé en 1973 à Manchester. Ils ont conçu une comédie musicale à la fin des année 1970 nommée Sleak au sujet d'une vedette rock qui est amené à se suicider sur scène. Ils ont enregistré quelques chanson de se spectacle pour en faire le Snuff Rock EP.

Alberto y los Trios Paranoias was a comedy rock band formed in Manchester, England, in 1973 They mounted a play, Sleak, about a rock star talked into committing suicide on-stage and they recorded some of the song from that play and put them on the funny Snuff Rock EP. It's a nice document of what's been a succesful stage show and a nice spot-on parody of punk rock.

1. Kill
2. Gobbing On Life
3. Snuffin' Like That
4. Snuffin' In A Babylon

Link

Pop Group - We Are Time

Band: Pop Group
Album:
We Are Time
Country:
UK
Release Date: 1980

Le Pop Group ne possède de Pop que le nom et cette compilation le démontre très bien. Le groupe mélange de façon exceptionelle funk, dub et punk, en fait on devrait plutôt parlé de collision que de mélange. Laissez-vous le Pop Group vous déstabiliser..... domage que le classique We Are All Prostitute ne s'y trouve pas, mais on ne peu pas tout avoir.....

Allmusic guide review:

Some artists churn out records for decades and leave behind little of significance. Others record little and leave a substantial legacy. The Pop Group belongs in that second category, releasing two studio albums and the odds-and-ends collection We Are Time during a three-year life span. When it becomes de rigueur to call an obscure band "seminal," it's worth reiterating why that band is important and reinvesting the cliché with some meaning. The Pop Group was among a handful of acts that harnessed the energy of punk, truly recognized the possibilities it opened up, and took music in exciting directions. The band used punk's back-to-basics ethos as a springboard for experimentation with funk, dub, and jazz, blending dance rhythms and rock in ways that continue to inspire artists. They also politicized rock with an intensity and urgency that put rebel poseurs like The Clash to shame. In addition to different versions of already available tracks, We Are Time features previously unreleased live, studio, and radio-session material. Demos from 1978 like "Trap" and "Sense of Purpose" display the frenetic rhythms, jagged guitars, and free jazz inclinations that would be further explored on the 1979 debut album. Taken to the brink by Mark Stewark's wailing vocals and Gareth Sager's squalling sax, the searing "We Are Time" and the staccato punk-funk rush of "Thief of Fire" show the band was as strong live as in the studio. The unlikely standout is "Amnesty Report" -- an alternate version of a 1979 B-side -- featuring Stewart's shouted recitation of an "Amnesty International Report on British Army Torture of Irish Prisoners" set to a fierce, heavily funky soundtrack. The Pop Group's official studio releases alone contained a wealth of musical ideas that still resonate. We Are Time simply confirms that the "seminal band" clichés are justified.

1.
2.
3.
4.
5.
6.
7.
8.
9.
10.

Trap (demo)
Thief of Fire (live)
Genius or Lunatic (live)
Colour Blind (demo)
Spanish Inquistion (live)
Kiss the Book (live)
Amnesty Report (alternate)
Springer (live)
Sense of Purpose (demo)
We Are Time (live)

4:17
3:56
3:52
4:05
3:21
2:47
2:41
1:09
4:24
7:11


Link

2007/04/13

The Clash - Théatre Le Palace 1980

Band: The Clash
Album:
Théatre Le Palace (Chorus TV)
Country:
UK
Release Date: 1980

Un excellent concert de l'époque London Calling des Clash. Le groupe s'y trouve enthousiaste et énergique et a droit à une excellente réponse du public parisien.

Blackmarketclash review:
The TV programme begins at Jimmy Jazz presumably because it took 3 songs to recover from the initial surge of the audience. The Clash appear to have played a normal set, the TV Director deciding which songs to edit out of the 40 minute programme. The Paris audience are very lively and enthusiastic and The Clash, now rejuvenated respond with a terrific performance.

Jimmy Jazz kicks off the programme in superb style with Joe prowling the stage, dropping to his knees and then singing on his back lying on the stage at one point. Mick chokes back the guitar, only coming in a jamming funky way giving it a real laid back feel. You can hear Mickey Gallagher's keyboards carry the tune along. Joe’s pigeon French intros and ad-libs are a delight here and throughout often switching back amusingly into English when it gets too hard.

London Calling next followed by the usually lightweight Protex Blue but which here really rocks. An edit into another Mick vocal on Train In Vain featuring some great lead guitar. It cuts off immediately after the last chord with Koka Kola edited in with the opening chords. Joe puts in another energetic vocal and then the song segues into I Fought the Law.

Joe gets carried away with his linguistics and starts talking in French introducing Spanish Bombs. Its quite funny when he continues his pigeon French at the next break, but in a linguistic rut, he pauses, and in rough cockney bleats out, "“Very good, tres bien mes amis, fuckin’ tres bien! Maintenant, it’s the wrong ‘em boyo mate!”

The sound fluctuates near the end of an excellent Wrong ‘Em Boyo and the band are obviously enjoying themselves. Joe clearly is knackered at this stage. Mick comes in on the vocals to rescue Joe and carry the song forward. Mick performs a strong Stay Free explaining mid song “its Brixton, a penal colony”

There is little or no chatter here on as the gig really cranks up into Janie Jones, Paul and Mick joining Joe on the vocals. Then Topper’s bass drum and drum rolls sound out before Mick’s guitar crashes into a superb Complete Control. Mick was getting lots of stick in the press at the time for being a detached guitar hero but his playing here is terrific building the tension to the song as Joe rants his adlibs over an extended ending.

There is a probable edit next before Joe calls for Tommy Gun but Topper proceeds into a passionate Garageland and then the band finish with a rousing finale of Tommy Gun with Joe really fired up “Don’t wanna go to war”.

1. Jimmy Jazz
2. London Calling
3. Protex Blue
4. Train In Vain
5. Koka Kola
6. I Fought the Law
7. Spanish Bombs
8. Wrong `Em Boyo
9. StayFree
10. Jane Jones
11. Complete Control
12. Garageland
13. Tommy Gun

Link

2007/03/12

Primal Scream - Hultsfred Festival 2000

Band: Primal Scream
Album:
Hultsfred Festival 2000
Country:
UK
Release Date: 2001


Enregistré au Festival de Hultsfred en Suède durant la tourné XTRMNTR.

The Primal Scream live at the Hultsfred Festival in Sweden during the XTRMNTR tour.


1
Swastika Eyes5:04






2
Shoot Speed/Kill Light4:49






3
Pills4:01






4
Burning Wheel5:26






5
If They Move, Kill 'Em3:28






6
Insect Royalty3:41






7
Keep Your Dreams5:49






8
Kill All Hippies4:13






9
Exterminator4:50






10
Blood Money5:19






11
Rocks3:46






12
Kowalski5:12






13
Accelerator5:02






14
Higher Than the Sun9:33






15
Medication3:32






16
City3:35






17
Movin' On Up5:34







Link

2007/02/19

The Clash Videos

The Clash In Munich (Complete Control & Hate And War)



The Clash (Rude Boy Movie) - Safe European Home & Complete Control


The Clash - 1977

The Clash - Deadly Serious


Band: The Clash
Album:
Deadly Serious
Country:
UK
Release Date: 2003
Label: Red Light Records

This wonderful bootleg 2 cd-set should be rename The Clash UK 30th Anniversary Legacy Editions !! It contains everything related to the first LP Clash that is not on it... demos, live and rare tracks. Highly Recommended !!!

Deadly Serious (Disc 1)
1. Clash City Rockers [Demo] 3:46


2. (White Man) In Hammersmith Palais [Live] 4:12


3. I'm So Bored With the USA [Live] 2:22


4. Janie Jones [Live] 1:54


5. White Riot [Live] 1:59


6. Complete Control [Live] 3:52


7. (White Man) In Hammersmith Palais [Rock Against Racism] 3:59


8. Career Opportunities [Polydor Demo] 2:00


9. White Riot [Polydor Demo] 2:03


10. Janie Jones [Polydor Demo] 2:13


11. London's Burning [Polydor Demo] 2:06


12. 1977 [Polydor Demo] 1:48


13. What's My Name [Live] 1:40


14. Police & Thieves [Live] 5:28


15. Garageland [Rude Boy Demo] 2:53


16. White Riot [No Backing Vocal] 2:12


17. I'm So Bored With the USA [Live] 2:18


18. Hate And War [Live] 2:05


19. 48 Hours [Live] 2:06


20. Deny 3:20


21. Police & Thieves [Live] 6:41


22. Cheat [Live] 2:08


23. Capital Radio [Live] 2:26


24. What's My Name [Live] 1:48


25. Protex Blues [Live] 3:07


26. Remote Control [Live] 2:47


27. Garageland [Live] 4:10


28. 1977 [Live] 1:40


Track 2-5: Glasgow 4 July 1978 Tk 6, 13: Music Machine 27 July 1978 Tk 7: Rock Against Racism Tk 8-12: Polydor Demos Nov 1976 Tk 14: Birmingham 1 May 1978 Tk 15: Rude Boy Demo Tk 16: Beaconsfield Studio 26 Apr 1977 Tk 17-28: Leicester 28 May 1977

Deadly Serious (Disc 2)
1. 1977 1:47


2. White Riot 1:49


3. London's Burning 2:05


4. Prisoner [Demo] 2:56


5. Capital Radio [Live] 2:45


6. Janie Jones [Live] 1:53


7. What's My Name [Live] 1:33


8. Garageland [Live] 2:58


9. Studio Chat [Mickey Foote Demos] 6:34


10. I'm So Bored With the USA [Mickey Foote Demos] 2:41


11. London's Burning [Mickey Foote Demos] 2:11


12. White Riot 1 [Mickey Foote Demos] 0:22


13. White Riot 2 [Mickey Foote Demos] 1:56


14. Career Opportunities [Mickey Foote Demos] 2:30


15. 1977 [Mickey Foote Demos] 1:38


16. Janie Jones [Mickey Foote Demos - Instrumental] 2:07


17. Deny [Live] 3:08


18. 1-2 Crush on You [Live] 2:25


19. I Know What to Think About You [Live] 2:08


20. I Never Did it [Live] 4:22


21. How Can I Understand the Flies [Live] 1:42


22. Protex Blues [Live] 2:26


23. Janie Jones [Live] 6:05


24. Mark Me Absent [Live] 4:23


25. Deadly Serious [Live] 2:03


26. 48 Hours [Live] 1:44


27. I'm So Bored With You [Live] 2:45


28. Sitting at My Party [Live] 1:33


29. London's Burning [Live] 2:06


30. What's My Name [Live] 2:07


31. 1977 [Live] 2:07

Tk 1-3: Beaconsfield Studio 28 Apr 1977 Tk 4: Autumn 1977 Tk 5-8: Manchester 15 Nov 1977 (So It Goes) Tk 9-16: Mickey Foote Demos Jan 1977 Tk 17-31: The Roundhouse 5 Sept 1976


Part 1
Part 2
Part 3
Link (Artwork)