Descendents - Two Things At Once

Band: Descendents
Album: Two Things At Once
Country: USA

Just like the title says, this album complies Milo Goes to College and the Bonus Fat EP, both of which are great releases, conveniently packaged on one record. All that mischievous teenage skaters could appreciate is here, classics like "Myage," "I'm Not a Loser," "Bikeage," and "Hope." But for all those who already own their "best of" (Somery, which features the previously mentioned songs), other less-known hits such as "Marriage," "I'm Not a Punk," and "Catalina" are exclusive to this release.

1	Myage	2:01
2	I Wanna Be A Bear	0:43
3	I'm Not A Loser	1:29
4	Parents	1:38
5	Tonyage	0:56
6	M-16	0:43
7	I'm Not A Punk	1:04
8	Catalina	1:48
9	Suburban Home	1:40
10	Statue Of Liberty	1:59
11	Kabuki Girl	1:11
12	Marriage	1:40
13	Hope	2:00
14	Bikeage	2:14
15	Jean Is Dead	1:33
16	My Dad Sucks	0:37
17	Mr. Bass	2:06
18	I Like Food	0:17
19	Hey Hey	1:33
20	Weinerschnitzel	0:12
21	Global Probing	1:08
22	Ride The Wild	2:31
23	It's A Hectic World	1:56

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Trunble Funk - Early Singles

Band: Trouble Funk
Album: Early Singles
Country: USA
Release Date: 1997

While Chuck Brown & the Soul Searchers were longer lived and E.U. scored the biggest national hit, Trouble Funk was the best and most interesting group to come out of the Washington, D.C., go-go scene, and its relentless pursuit of the good groove, propelled by buoyant horn charts, P-Funk-inspired keyboard lines, and tireless percussion jams, was a potent and satisfying reminder in the dying days of the disco era of just how joyous, muscular, and human good dance music could sound. This compilation (released by former D.C. resident and longtime fan Henry Rollins -- yep, that Henry Rollins) features eight cuts from the band's early, self-released 12" singles, where Trouble Funk could stretch out its tracks to eight to ten minutes without outside influences urging the band to shoot for something more commercial or radio-friendly; this is go-go with enough grease for purists and enough groove to win converts, including the epochal "Supergrit," "So Early in the Morning," and an idiosyncratic reworking of Kraftwerk's "Trans Europe Express." A valuable archival release that will also give you enough fuel to set the dancefloor burning all night long.

1.	Super Grit	10:18
2.	E Flat Boogie	5:26
3.	Hollyrock	4:39
4.	Roll Wit It	7:16
5.	Latin Funk	5:03
6.	Get Down With Your Get Down	8:43
7.	Trouble Funk Express	6:46
8.	So Early In The Morning	7:04

Link

Butthole Surfers - Rembrandt Pussyhorse

Band: Butthole Surfers
Album: Rembrandt Pussyhorse
Country: USA
Release Date: 1986

Everything seems to start almost normally on Pussyhorse with "Creep in the Cellar," even with the rather gone violin line -- Haynes is intelligible, the piano part is quiet serene. Then again, Haynes is talking about the creep in question doing things like taking off his skin, so clearly all is still at least somewhat tweaked in Surferland. The rest of the album makes that pretty clear; if not quite as strong as Psychic...Powerless, Pussyhorse is still a strong slice of homegrown art/psychedelia gone to a murky hell. Gentler songs like "Sea Ferring" still have a distinct queasiness to them, its sea chanty feeling undercut by the nagging bassline and Haynes' yelps. When the group goes totally nuts, as on a drum-blasting, squiggly voiced cover of the Guess Who's "American Woman" that makes the later Lenny Kravitz version seem like the redundant slice of nostalgia it is, no prisoners are taken. "Perry" is another definite nutter, with Haynes or somebody talking about this and that to his "baby" over a slow, organ-heavy groove. This said, the trick about Pussyhorse, and arguably why it's slightly lesser than Psychic...Powerless, is its overall subtlety in comparison. Things are more dark and gloomy throughout, downright gothic, even, with the organ start and whispery lyrics of "Strangers Die Everyday" being a good example. Leary keeps his playing low and strange throughout, fitting in with new bassist Pinkus rather well as a result. Get past the slight surprise of not always hearing the Surfers going near-all out most of the time, though, and Pussyhorse is still mighty fine, whether talking about the drony guitar weirdness opening "Whirling Hall of Knives" or the echo-treated reprise of "In the Cellar." CD versions of Pussyhorse conveniently include the Cream Corn From the Socket of Davis EP.

1.	Creep in the Cellar	2:05
2.	Sea Ferring	3:59
3.	American Women	5:32
4.	Waiting for Jimmy to Kick	2:20
5.	Strangers Die Everyday	3:09
6.	Perry	3:31
7.	Whirling Hall of Knives	4:44
8.	Mark Says Alright	4:07
9.	In the Cellar	3:18
10.	Moving to Florida (Bonus Track)	4:32
11.	Comb (Bonus Track)	4:57
12.	To Parter (Bonus Track)	4:20
13.	Tornadoes (Bonus Track)	2:37

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Beastie Boys - Randy's Rodeo

Band: Beastie Boys
Album: Randy's Rodeo (Live At City Gardens, Trenton, NJ)
Country: USA
Release Date: 1992

CD1
1. Ricky Powell’s Intro
2. To All The Girls
3. Slow & Low
4. Shake Your Rump
5. Pass The Mic
6. Looking Down The Barrel Of A Gun>
7. Rhyming & Stealing
8. Time For Livin’
9. Egg Raid On Mojo
10. In 3’s (Instrumental)
11. POW
12. Live at PJ’s
13. Stand Together
14. Posse In Effect
15. A Year & A Day/Posse In Effect pt 2
16. Jimmy James
17. Sounds of Silence
18. Finger Lickin Good

CD2
1. This One’s for Todd
2. High Plains Drifter
3. So Whatcha Want?
4. Paul Revere
5. The Maestro
6. Groove Holmes (Instrumental)
7. Something’s Got To Give
8. Lighten Up
9. Gratitude
10. Stand Up (Minor Threat Cover)
11. Time To Get Ill
12. Shadrach

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Link Part 2

Pure Hell - Noise Addiction

Band: Pure Hell
Album: Noise Addiction
Country: USA
Release Date: 2005

In 1974, on the streets of Philadelphia, a band unlike any other was formed. They called themselves Pretty Poison. The band consisted of Stinker (Kenny Gordon) on vocals, Chip Wreck (Preston Morris III) on guitar, Lenny Steel (Kerry Boles) on bass, and Spider (Michael Sanders) on drums. They had a sound so ahead of its time that the music industry was not yet ready for it. They coupled the punk sound of the New York bands of the time with a harder, faster heavy metal edge unheard before. Their unique sound was a result of Gordon's berserk choreography and Morris's needling guitar riffs, while Steel and Spider added a synchronized barrage with no nonsense execution to the arsenal.

Inspired by the famous fuel-altered dragster, they changed their name to Pure Hell in 1975. Soon after, they moved to New York City where they played with bands like the New York Dolls, Sid Vicious, Wayne County and the Electric Chairs, The Dead Boys, The Stimulators, Richard Hell, The Germs, The Nuns, The Cramps and more. In 1978 Pure Hell headlined a tour of the UK, with bands like The UK Subs, Wilko Johnson, Vermilion & the Aces and more opening for them. While in the UK, their only original record was released. It was a single released by their manager Curtis Knight on his label, Golden Sphinx Records. The songs on the single were “These Boots Were Made for Walking” and “No Rules.” The single charted in the top 40 charts in the UK. During the same year, a full length album was recorded but was never released. It did not surface again for 26 years…

1.	Noise Addiction	1:56
2.	Hard Action	2:29
3.	Lame Brain	3:10
4.	I Feel Bad	2:30
5.	Wild One	3:32
6.	Rot in the Doghouse	2:21
7.	No Rules	2:26
8.	Thrillers of Oz	1:57
9.	Spoiled Sport	1:45
10.	Courageous Cat	3:31
11.	These Boots Are Made For Walking	2:47
12.	American	4:09
13.	The Girl With the Hungry Eyes	1:31
14.	I Want Your Body	1:47
15.	Future	2:11

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The Weirdos

Band: Weirdos
Album: Demos & Rehearsals
Country: USA
Release Date: 197?

1.	Bad [Demo]	2:20
2.	It Means Nothing [Demo]	2:33
3.	Scream Baby Scream [Demo]	1:55
4.	We Got the Neutron Bomb [Demo]	2:10
5.	Life of Crime [Demo]	2:17
6.	Teenage [Demo]	2:38
7.	Why Do You Exist? [Demo]	1:46
8.	Destroy All Music [Demo]	1:36
9.	Do the Dance [Demo]	1:20
10.	Message From the Underworld [Demo]	2:15
11.	Go Kid Hugo [Demo]	2:03

DownloadBand: Weirdos
Album: Weird World Volume 1
Country: USA
Release Date: 1991

It's rather ironic that while Los Angeles was the capitol of the American recording industry in the mid-to-late '70s, most of the seminal bands of the original New York punk rock scene (the Ramones, Television, Patti Smith, Talking Heads) were able to score major-label contracts, but nearly all of their West Coast contemporaries were ignored, having to rely on fledgling independent labels like Dangerhouse or What? if they wanted to be heard on plastic. Consequently, several important bands, such as Crime and the Screamers, managed to slip through the cracks without ever releasing a proper album, and the Weirdos, who were one of the first major bands to emerge from the L.A. punk underground, broke up in 1981 without making an LP. (They did reunite for a spell in the 1990s, recording an album called Condor with the help of friend and fan Flea.) Fortunately, the Weirdos did manage to release a handful of singles and EPs during their 1977-1981 heyday, as well as demoing plenty of material that never saw release, and Weird World, Vol. 1 collects 14 superb cuts that set the record straight -- the Weirdos were, quite simply, one of the best and brightest American bands of punk's first wave. Dix Denney's hard, angular guitar lines suggested melody without sacrificing any of his propulsive punch, while the various rhythm sections were invariably tight, hard-driving, and energetic (the band went through four drummers and five bassists in five years; one of the group's bass players, Cliff Roman, was originally their rhythm guitarist, and wrote a handful of superb songs, including "Teenage" and "Life of Crime"). And vocalist John Denny was a genius frontman; manic, funny, and just a little disturbing, John could pour a world of passion and meaning into a nonsense lyric like "Bop helium bar tonight!," and his more coherent numbers, like "We've Got the Neutron Bomb" and "Pagan" were as hilarious as the Ramones but with a genuinely ominous undercurrent their funny-punk brethren couldn't touch (check the claustrophobic "Solitary Confinement"). Weird World, Vol. 1 is hardly the final word on this great band, but if you want concrete proof that the Weirdos were the great unsung heroes of L.A. punk, you could hardly do better.

1.	Weird World	3:02
2.	Arms Race	2:21
3.	Pagan	1:29
4.	Helium Bar	3:22
5.	Rhythm Syndrome	2:22
6.	Fallout	2:25
7.	Fort U.S.A.	3:12
8.	Happy People	2:33
9.	Message From the Underworld	2:35
10.	Teenage	2:22
11.	I'm Not Like You	2:36
12.	We Got The Neutron Bomb	2:59
13.	Solitary Confinement	2:30
14.	Life Of Crime	2:19

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Band: Weirdos
Album: Weird World Volume 2
Country: USA
Release Date: 2003

A mere 12 years after Weird World, Vol. 1, volume two (with We Got the Neutron Bomb given as the dominant title) appeared to mop up odds and ends that hadn't appeared on the first anthology of material by the early L.A. punk band the Weirdos. As you might expect from a band that recorded infrequently and sporadically, there's a ragtag feel to this compilation. Ten of the 16 tracks, indeed, were previously unreleased; also tacked on are the late-'70s singles "We Got the Neutron Bomb" and "Destroy All Music," "Skateboards to Hell" (the B-side of a 1979 Denney Brothers single), "Hey Big Oil" (from the Denney Brothers' 1981 LP), and two songs from the 1990 Weirdos LP Condor. Although the material spans a dozen years (with a big gap between 1982 and 1988), the sound actually doesn't change much. It's straightforward ominous snarling punk, not quite hardcore but getting there, not too big on melody but not one-chord thrash either. A bit of experimental industrial rock creeps into the Denney Brothers' instrumentals "Hey Big Oil" and "Skateboards to Hell," and some rockabilly revivalism into the 1980 live-in-the-studio covers of Link Wray's "Fat Back" and Hank Mizell's "Jungle Rock." It's the late-'70s material that fans will probably be most hungry for, though, including not just the "We Got the Neutron Bomb" and "Destroy All Music" singles, but also a live 1978 track and two slightly crudely recorded 1977 live-in-the-studio numbers. Those are the freshest-sounding cuts on the set, "We Got the Neutron Bomb" sounding a little like a gallows Ramones in its sardonicism, though it all seems a lot less shocking and novel than it did back in the day.

1.	Terrain	3:06
2.	Cyclops Helicopter	2:02
3.	7 & 7 Is	1:50
4.	Shining Silver Light	3:22
5.	What Will You Do?	2:29
6.	Hey Big Oil	2:20
7.	It Means Nothing	2:36
8.	The Hideout	3:34
9.	Jungle Rock	2:45
10.	Fat Back	2:14
11.	Skateboards to Hell	3:42
12.	Barbaric Americana	3:37
13.	We Got The Neutron Bomb	2:58
14.	Destroy All Music	1:37
15.	I Want What I Want	2:41
16.	I'm Not Like You	3:10

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The No WTO Combo - Live From The Battle In Seattle

Band: The No WTO Combo
Album: Live From The Battle In Seattle
Country: USA
Release Date: 2000

The No W.T.O Combo celebrate and further the protests that took place against the World Trade Organization in Seattle during late November of 1999. Recorded live at a show amidst the protests' aftermath, he Combo brings elder punk statesman Jello Biafra together with Kim Thayil, Krist Novoselic, and Gina Mainwal. Two new Biafra-penned punk burners, the Dead Kennedys classic "Let's Lynch the Landlord," a Biafra spoken-word piece, and the DOA/Biafra jam "Full Metal Jackoff" comprise the set's material. The recording is musically noteworthy due to the musicians' obvious passion, not to mention that Thayil sounds like an unholy cross between Greg Ginn and East Bay Ray. Most interesting, though, is Biafra's subject matter -- worker rights, NAFTA, downsizing, and the WTO -- and excellent liner notes from Biafra and Novoselic summing up the demonstrations and issues at hand. At the least, Live From the Battle in Seattle is an important historical document; leave it to Biafra to show that rock and social protest don't have to be mutually exclusive, even in the year 2000.

1. "Battle in Seattle" – 15:02
2. "Let's Lynch the Landlord" – 3:41
3. "New Feudalism" – 4:15
4. "Electronic Plantation" – 4:55
5. "Full Metal Jackoff" – 16:28

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The Cramps - How To Make A Monster

Band: The Cramps
Album: How To Make A Monster
Country: USA
Release Date: 2004

Part of the beauty of the Cramps is the consistency of their vision -- since 1976, their body of work has been one long fever dream of kinky sex, bug-eyed monsters, and switchblade-wielding juvies, married to the primal twang of an electric guitar and the malevolent thud of a drum kit. While the quality of their work has run through some peaks and valleys over the years (they've made plenty of good records, but just a few great ones), they seem to have known what they were shooting for from the very beginning. How to Make a Monster, a two-disc collection of demos, rehearsal tapes, and live recordings, documents the band's formative years (for the most part), and while a few of these takes push the boundaries of the word "primitive," this is the Cramps, alive and oozing, from the very first lo-fi run-though of "Quick Joey Small." The first two sets of recordings, from 1976, are plenty crude (in terms of both performance and audio quality), but the band's energy and abandon are already in place, and while later tapes (from 1981 through 1988) are cleaner, the band ultimately doesn't sound that much different, just tighter and better at what it's doing. While Lux Interior sounds a bit subdued in some of the earlier studio stuff, he's a live wire all through disc two, which preserves two early live shows, one at Max's Kansas City in 1977 and the other from CBGB's in 1978. The band has to put up with a too-cool-for-school audience for the Max's show, which periodically heckles the band (gotta wonder what those "hipsters" are up to today), but Poison Ivy Rorschach's deadly guitar is already on the case, and by the time the CBGB's gig rolls up, the Cramps sound loud and proud, and the crowd is with 'em all the way. How to Make a Monster is hardly the definitive Cramps anthology (this is one band that has earned a box set by now), but it's a fun and fascinating look at their early days, and if you subscribe to the notion that the older the Cramps record is, the better, then this little item's a must. Great notes from Lux and Ivy, too, along with some classic flyer art and provocative photos.

CD 1
1-Quick Joey Small
2-Lux's Blues
3-Love Me
4-Domino
5-Sunglasses After Dark
6-Subwire Desire
7-TV Set
8-Sunglasses After Dark
9-I Was A Teenage Werewolf
10-Can't Hardly Stand It
11-Sweet Woman Blues
12-Rumble Blues
13-Rumble Blues (False Start)
14-Rumble Blues
15-Rumble Blues
16-Lonesome Town
17-Five Years Ahead Of My Time
18-Call Of The Wighat
19-Hanky Panky
20-Journey To The Center Of A Girl
21-Jackyard Backoff
22-Everything Goes
23-All Women Are Bad
24-(Untitled Track)
Summer 1976 (1-8), Oct. 1976 (9-10), 1981 Rehearsal (11-16), 1982 A&M Studio (17-19), 1988 Rehearsal (20-22), 1988 Home Demo (23)

CD 2
1-Don't Eat Stuff Off The Sidewalk
2-I Was A Teenage Werewolf
3-Sunglasses After Dark
4-Jungle Hop
5-Domino
6-Love Me
7-Strychnine
8-TV Set
9-I'm Cramped
10-The Way I Walk
11-Love Me
12-Domino
13-Human Fly
14-I Was A Teenage Werewolf
15-Sunglasses After Dark
16-Can't Hardly Stand It
17-Uranium Rock
18-What's Behind The Mask
19-Baby Blue Rock
20-Subwire Desire
21-I'm Cramped
22-TV Set
Live at Max's Kansas City 1/14/77 (1-9), Live at CBGB 1/13/78 (10-22)

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Gogol Bordello - Multi Kontra Culti vs. Irony

Band: Gogol Bordello
Album: Multi Kontra Culti vs. Irony
Country: USA
Release Date: 2002

The sound of New York’s Gogol Bordello is a combination of reckless fervor, foot-stomping rhythms, outlandish lyrics and a circus of surreal stimuli that leaves progressive minded music fans spinning in the their wake. Drawing upon Gypsy, Slavic and punk-rock traditions, Gogol Bordello is the genesis of a new aesthetic that bridges the gap between Eastern European and Gypsy influence with Western culture. This new direction in music is singer/lyricist/visionary Eugene Hutz’s passion, who uses the term "Ukrainian Gypsy Punk Cabaret" to describe their singular sound. "The title of the new album sums of the spirit of the band and the people around it. Gogol Bordello is about creating new musical possibilities. We all come from a very distinct tradition of music that is largely driven by Eastern European sounds, visions and colors as well as punk rock and street culture. We’re a multicultural unit with an underdog energy and a sense of humor, although a pretty twisted one," says Hutz.

Allmusic Guide review:
The idea of colliding Romany music with punk may at first seem bizarre, but there's more common ground to be found than one might first suspect, not the least of which involves the rejection of authority and dominant cultural norms. Musically, the Romanies' exuberant celebration of life may appear the antithesis of punk's original nihilism, but both are kindled by a sense of immediacy, a "no future, let's play for today" atmosphere that fires every song. And so Gogol Bordello, while certainly unique, is not as odd as it may seem. The group long ago left the concept of borders, musical or otherwise, behind. The members may have met in New York City, but bar one, all traveled far to get there, arriving from Israel and a variety of Eastern European nations. Singer/lyricist Eugene Hutz brought with him his rich Ukrainian heritage, a gift for storytelling, a twisted sense of humor, and a sharp sense of irony. The bandmembers brought their excellent musicianship, a love of their own cultural sounds, and a magpie's delight in plundering from others. The group's name pays tribute to Ukraine's most feted author, Nikolai Gogol, whose distinctive style and leitmotif provide inspiration for Hutz's lyrics. Skipping stealthily from the real world to the surreal, the pugnacious to the paranoid, the singer spins out his tales of wonder and woe, commonplace occurrences and counterintuitive events. Behind him, the band lets loose with an accompaniment that makes a nonsense of genres, a storming backing awash in melody that pushes toward pop, but cries out to the vast Eurasian steppes. Incredibly anthemic, Multi Kontra Culti will set your head spinning and your body with it, your blood racing to the rhythms, and your spirit soaring with the wildness of the untamed sounds within.

1.	When The Trickster Starts A-Poking	5:06
2.	Occurence On The Border	3:26
3.	Haltura	5:01
4.	Let's Get Radical	3:59
5.	Smarkatch	3:14
6.	Future Kings	4:40
7.	Punk Rock Parranda	3:56
8.	Through The Roof 'n' Underground	5:29
9.	Baro Foro	9:02
10.	Hats Off To Kolpakoff	2:21
11.	Huliganjetta	5:39

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Gogol Bordello - Voi-la Intruder

Band: Gogol Bordello
Album: Voi-la IntruderCountry: USA
Release Date: 2003

Gogol Bordello are a completely original New York entitity. Rubric is reissuing their debut release, Voi-La Intruder, with the track order revised and an additional 5 tracks. This is Ukranian party music. Leader Eugene Hutz is a major NYC DJ at the Bulgarian Bar on Saturday nights. The place is packed weekly with Eastern European immigrants and the hipsters who love them. The music is best described as a sort of Pogues meets traditional Ukranian folk music in a sweaty dance bar. One foot in punk rock and one foot in traditionalism, Gogol Bordello have been packing clubs in NYC and have recently toured the Czech Republic and Switzerland. They’ve also shared the Central Park stage last summer with international sensations Manu Chao. This is sexy, uplifting party music that gives one hope for the future.

1.	Sacred Darling	1:51
2.	Voi-La Intruder	3:10
3.	Greencard Husband	2:22
4.	Passport	4:24
5.	Start Wearing Purple	3:44
6.	Shy Kind of Guy	3:30
7.	Mussolini vs. Stalin	2:44
8.	Letter to Mother	3:52
9.	God-Like	5:36
10.	Nomadic Chronicle	4:24
11.	Letter to Castro	3:23
12.	Invisible Zedo	4:29
13.	Sex Spider	3:11
14.	No Threat	3:35
15.	Against the Nature	7:23

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American Hardcore: The History of American Punk Rock

Band: Varous Artists
Album: American Hardcore: The History of American Punk Rock
Country: USA
Release Date: 2006

There'd be no Nirvana, Beastie Boys, or Red Hot Chili Peppers were it not for hardcore pioneers such as Black Flag, Bad Brains, and Minor Threat. Hardcore was more than music; it was a social movement created by Reagan-era misfit kids. Featuring twenty-six definitive tracks, this is the audio companion to the feature-length documentary, released by Sony Pictures Classics in September 2006. Artists include Black Flag, Bad Brains, Minor Threat, Circle Jerks, Cro-Mags, Adolescents, Die Kreuzen, Flipper, Gang Green, Negative Approach, DOA, MDC, DRI, and more.

1. Black Flag - Nervous Breakdown 2:05
2. Middle Class - Out Of Vogue 0:59
3. Bad Brains - Pay To Cum 1:29
4. D.O.A. - Fucked Up Ronnie 1:19
5. Circle Jerks - Red Tape 0:54
6. Minor Threat - Filler 1:31
7. MDC - I Remember 1:56
8. Untouchables - Nic Fit 0:59
9. Gang Green - Kill A Commie 1:05
10. The Freeze - Boston Not L.A. 0:20
11. Jerry's Kids - Straight Jacket 0:22
12. SS Decontrol - Boiling Point 0:51
13. Void - Who Are You?/Time To Die 3:36
14. Scream - Came Without Warning 1:41
15. Negative Approach - Bad Attitude (1983 Demo) 1:07
16. Articles Of Faith - Bad Attitude 2:36
17. Die Kreuzen - Think For Me 1:37
18. Battalion Of Saints - My Minds Diseased 2:30
19. 7 Seconds - I Hate Sports 0:39
20. Big Boys - Brickwall 0:38
21. Really Red - I Was A Teenage Fuck Up 1:18
22. Adolescents - I Hate Children (1980 Demo) 1:36
23. YDI - Enemy For Life 1:08
24. D.R.I. - Runnin' Around 1:02
25. Cor-Mags - Don't Tread On Me (1982 Demo) 1:20
26. Flipper - Ha Ha Ha 2:13

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Bad Brains videos

I Againt I Promo Video



Pay To Cum at CBGB's



Live in Holland 1988



Target Video

Husker Du Videos

Live In London 1985



Live In San Francisco 1985

Husker Du - Minneapolis Is Burning

Band: Husker Du
Album: Minneapolis Is Burning
Country: USA
Release Date: 1992
Label: Nu Noize Records

A nice show of Husker Du from the golden era (New Day Rising & Zen Arcade was already out and Flip Your Wig were coming soon after) recorded in their hometown at the First Avenue Club in Minneapolis on August 28 1985. Enjoy this great performance in good sound quality too !!

Husker Du Database Comments:

Soundboard tape of complete, unedited show that appears in edited form on the Lynndale's Burning boot LP and the Spin concert LP.

Alternately titled German boot of Lyndales Burning. Has different picture insert, taken from Warehouse photo sessions, and different artwork on disk itself. Otherwise the two appear to be the same, as the number on the disk is the same in both cases and "I Apologize" skips in the same spot on both CDs. The individual track times vary slightly. The track anomalies cited above regarding "Celebrated Summer" and "Folklore" are present in this case as well. If that's not sufficient evidence, both disks bear the holographic number WIZARD A 0321.

1.	Flip Your Wig	2:17
2.	Every Everything	1:43
3.	Makes No Sense At All	2:33
4.	Girl Who Lives On Heaven Hill	3:07
5.	I Apologise	3:33
6.	If I Told You	3:48
7.	Don't Want to Know if You are Lonely	3:17
8.	I Don't Know for Sure	2:24
9.	Terms of Psychic Warfare	1:48
10.	Powerline	2:29
11.	Books About U.F.O.s	2:46
12.	Hardly Getting Over It	5:25
13.	Sorry Somehow	4:35
14.	You're so Square/The Wit & the Wisdom	4:21
15.	Green Eyes	2:52
16.	Divide and Conquer	3:42

Link

Iggy Pop Video

The Passenger at the Manchester Apollo 1977



Lust For Life at ToppPop (Dutch TV)



Sixteen live in 1978

Iggy Pop - Hippodrome 77

Band: Iggy Pop
Album: Hippodrome 77
Country: USA
Release Date: 1998
Label: Revenge

Vocals - Iggy Pop / Guitar - Stacy Heydon / Drums - Hunt Sales / Bass - Tony Sales / Guitar, Keyboards - Scott Thurston

Iggy Pop is at is best when on stage. This one was recorded at the Paris Hippodrome on september 23 1977. I like Iggy's late 70's period and this one give a new twist on classics like Lust For Life and The Passenger.

1.	Intro - Sixteen	3:59
2.	Lust For Life	4:11
3.	The Passenger	8:11
4.	I Got A Right	4:32
5.	Neighbourhood Threat	5:17
6.	Succes	4:33
7.	Fall In Love With Me	8:35
8.	Raw Power	4:06
9.	CC Rider - Jenny Take A Ride	2:42
10.	That How Strong My Love Is	6:25
11.	I Wanna Be Your Dog	5:01

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